Wednesday, March 20, 2019


Take a hike through the most haunted forest in the world…

I haven’t read the previous installments in the GhostWriters series, however I loved Moncrieff’s book “The Bear Who Wouldn’t Leave,” so when offered an advance proof of “Forest of Ghosts” in exchange for an honest review, I happily jumped at the chance.

Forest of Ghosts is a fast, creepy tour through the darker side of modern Transylvania. The author has first-hand knowledge of many of the settings in the story, and the descriptions are vibrant and detailed. Creeps and weirdness abound as our hero, Jackson Stone, attends a writers retreat where other guests disappear and the owner of the hotel harbours a dark secret. Moncrieff expertly weaves a tale of mystery and suspense, and she takes her time to make her characters and plot logical and sensical for the modern day. Being more of a “supernatural mystery” than a true horror story, Moncrieff’s characters make sensible choices and there is internal logic to everything that happens - the danger and suspense is built into the setting and are not merely plot contrivances, which is a refreshing touch.

The main character Jackson is relatable - sure he's seen ghosts and spooks before, but he still has reasonable questions and doubts about the weirdness around him. He's also a guy who will stand up for what he believes in even if it's uncomfortable or difficult, which makes him easy to cheer for, and you can believe his struggles to do the right thing and help people.

All in all a fun read that I breezed through in just two sittings, which is impressive for me; I’m generally a pretty slow reader. That says something about the smoothness and accessibility of the author’s prose! Definite recommend for fans of supernatural mysteries, suspense and ghost stories. Now I have to go back and read the previous volumes...

FOREST OF GHOSTS officially drops this Friday, March 22. 


J.H. Moncrieff's City of Ghosts won the 2018 Kindle Book Review Award for best Horror/Suspense.

Her work has been described by reviewers as early Gillian Flynn with a little Ray Bradbury and Stephen King thrown in for good measure.

She won Harlequin's search for “the next Gillian Flynn” in 2016. Her first published novella, The Bear Who Wouldn’t Leave, was featured in Samhain’s Childhood Fears collection and stayed on its horror bestsellers list for over a year.

When not writing, she loves exploring the world's most haunted places, advocating for animal rights, and summoning her inner ninja in muay thai class.

To get free ebooks and a new spooky story every week, go to

Wednesday, March 6, 2019

I MADE A LIST! (#IWSG March 2019)

I've been having trouble focusing largely. I just have so many projects I want to work on, and no where near enough time to write them all. I made a list for myself to try and keep track of exactly what I was working on, and to try and prioritize some of it.

In just the last week or so, I've worked on, thought about, or should have worked on:

  • six blog posts/interviews/reviews
  • edits for one of the anthologies I'm a part of
  • my main WIP, to which by added somewhere between 5000-7000 words in February, which is pretty good for me lately
  • three separate short stories, two of which are complete but need major revisions, and I started a new third one for some reason
  • revisions for a completed manuscript I've been submitting to a few places
  • outlines or tinkering on three other novels that are bouncing around in my head
  • another special project that could take considerable time and I don't even want to mention because it will probably never happen
I should have started with some easy stuff.

That's a lot of stuff. Can you imagine how much work I would get done on a single project if I concentrated on one thing? I just can't seem to focus. Some things are driven by deadlines (such as blog posts and edits), and I do make a point of dedicating at least a couple of hours a week to my main WIP. But for everything else, whenever I get a few free minutes or an idea pops in my head, I open up a document on my phone or laptop and add a few lines to whatever strikes my fancy in the moment. It's good because I am getting lots of ideas and I'm feeling creative, but it's also frustrating because I'm not going anything done. 

After I made my "to do" lists I broke it down basically into two columns: stuff that is deadline-dependent, and stuff that is open-ended. That way I can schedule the deadline-stuff, and when there's nothing pressing there I can work on the other list. That one is harder to prioritize, though I think I'm going to try and stick to my one novel WIP and one short story (the one that needs the least work) for now. 

Though of course, if another idea pops into my head, it would be foolish not to write it down...

And I really should get that other manuscript out, I just need to do a few revisions and fix my synopsis...

See? I just can't do. 

Please send help.

Pictured: Me, reading my writing to-do-list right through the commercial break.


Hey, I also have a post on the IWSG Anthology Blog today, talking about my story in the upcoming Masquerade: Oddly Suited. Be sure to stop by and check it out.


The first Wednesday of every month is officially Insecure Writer’s Support Group day. Writers post their thoughts on their blogs, talking about their doubts and the fears they have conquered. It's a chance for writers to commiserate and offer a word of encouragement to each other. Check out the group at

Wednesday, February 20, 2019

February '19 Audiobook Reviews

Here we go again! I've been tearing through audiobooks so far this year, let's see if I can keep it up. I started last year hard and fast too, and burned out quickly, but here's hoping I can top my record for books read/listened to in 2019.

Heir to the Empire - 20th Anniversary Edition by Timothy Zahn (read by Marc Thompson)

I think I've talked before about how important "Heir to the Empire" was to my Star Wars fandom in my teens. This book, and the West End Games Role-playing game, kept Star Wars vibrant and alive for me in those dark years between Return of the Jedi and (ugh) The Phantom Menace. Not only was it the first "Star Wars" we got in ten years after Jedi, Heir to the Empire was a really good book. Or at least I remember that it was, though it had been some 25 years since I'd read it.

I remembered it very well - I could recite some lines and even full paragraphs exactly along with the narrator as I listened. But it was a lot more... juvenile than I remember it being. I'm not saying that as a major critique, it's just very obviously targeted at young adult audiences, which I guess I didn't notice at the time since I was, at the time, a young adult myself. The language is very "secondary-school," for lack of a better word, which really stands out when it's read aloud in an audiobook.

That being said, the plot is very well thought out (a hell of alot more than most Star Wars movies, to be honest) with genuinely shocking twists and turns throughout the book and the trilogy. The villain, Grand Admiral Thrawn, is without a doubt Zahn's greatest contribution to the Star Wars universe (that and the name Coruscant for the capital planet). Thrawn is a well-developed, Sherlock-Holmes-esque character, who uses his considerable intellect for evil, yet you can't help be drawn to him because he's just so darn interesting. His plots and schemes are ridiculously elaborate and yet well-thought-out and logical, far more than the simple "and now the bad guys ambush the heroes" we usually get in the movies.

So yeah, the book is still pretty good, but I cringed at the audiobook. This was the most over-the-top, over-produced audiobook I've ever listened to. It had a full soundtrack and soundscape, using all the official music and effects from the films. Every scene was highlighted by laser blasts, lightsaber hums, explosions and monster growls. Even during quiet dialogue scenes, there was always the background noise of starship engines humming in space or animals chirping on-planet. It was really unnecessary, and totally distracting at first. Maybe some people really like this kind of full presentation, but as I've said before, I really just prefer one voice telling me a story.

Marc Thompson is a good narrator, but like most male American narrators I find him a little too slick. It always sounds like the voiceover guy from movie trailers. Plus, he did all the voices (or attempted to do all the voices) as impersonations as the characters from the movies. His Obi-Wan Kenobi, Yoda and C-3P0 were quite good, but many of the others left a lot to be desired. Luke Skywalker sounded kinda bored, Lando sounded like he was trying to seduce everyone all the time, all of the female characters were terrible (a pretty common complain when male narrators try to do female voices), and Han Solo sounded like Patrick Warburton (the voice of Joe Swanson on Family Guy, Kronk from the Emperor's New Groove, Elaine's boyfriend Puddy on Seinfeld and Lemony Snicket in the Netflix version of A Series of Unfortunate Events).

Actually Han Solo in this sounds exactly like the Han Solo from the Lego Star Wars cartoons, but that's neither here nor there.

Portuguese Irregular Verbs by Alexander McCall Smith (read by Hugh Laurie)
My wife has been bugging me to read this for years, and while I have nothing against it I admit it took me far too long to get around it to. This is my first McCall-Smith book (I've never touched his much more famous No. 1 Ladies Detective Agency, either), and I quite enjoyed it.

Charming is probably the best word I can come up with to describe this book. It wasn't gut-bustingly hilarious (though my wife insists the next book in the series is), but there were a couple of pretty funny moments. The opening chapter about three very un-athletic academics trying to learn how to play tennis using only a 100-year old rule book was brilliant. And then they tried to learn to swim from a textbooks, too... But most of the book is cute, witty, and leaves you with "ah, I see what you did there" moments. 

Ostensibly the book is a number of short stories about the lead character, Dr. Moritz-Maria von Igelfeld, a professor of "philology" (study of the history and structure of a language - I had to look it up) whose big claim to fame is writing a 1200-page treatise on Portuguese Irregular Verbs, an incredibly comprehensive (and by all accounts, dreadfully boring and unnecessary) volume about the history and usage of... Portuguese Irregular Verbs. It's a book that all his colleagues appreciate and respect but no on in the right minds would ever want to read. Every chapter and story somehow ties back to this ridiculous book, about how von Igelfeld is trying to get others to read it, or buy it, or how he got the idea to write it, and so on. It's just the right amount of absurd for me, and if you are an academic or know any of them very well, it will entertain you on an whole other level.

My favourite part of the book, however, was definitely the narration by Hugh Laurie. My previous experience with him was reading Three Men in a Boat, by Jerome K. Jerome, which if you recall I was pretty disappointed with (Laurie's reading that is, the book is great). He is a million times better here, taking his time and narrating with a gleeful joy that really makes what could by a dry story far more entertaining. In fact, Laurie's narration here bumps whats would probably be a three-star book for me up to an easy four.

Noir by Christopher Moore (read by Johnny Heller)
I'm a big homer for Christopher Moore. I unabashedly list him as one of my big influences as a writer (I'm not talented enough to write like Kurt Vonnegut, or British enough to write like Terry Pratchett). Hard-boiled detective stories are also my jam. Mickey Spillane is a dirty pleasure, even though his books are horrifically racist and misogynistic. So when you mash the two of them together, I just knew this was going to be a bitchin' ride.

From the opening line, "She had the kind of legs that kept her butt from resting on her shoes," I was hooked. It was full of Moore-isms like this, where he captures the style and tone of the genre he's satirizing/parodying, but twisting it to make it all his own. It was a classic story of a tough, regular Joe who gets caught up with a crazy dame and some illegal shenanigans, and then all hell (and murder) breaks loose. 

Set in post-WWII San Francisco, Moore deftly navigates the racial and social prejudices of the time, being honest about how people thought and acted in the 1940s without being too cringe-worthy for our modern sensibilities. And he touches on a lot of tough points, too. Japanese internment camps, the flourishing west-coast China Town, the Southern blacks who moved to California to build warships, the women who worked to run the country while the men were away but then were shuffled back when the war ended, even the underground but growing gay and lesbian culture. I've read other novels actually written in that period when all of those groups were treated like second-class citizens as best, and manipulative, horrific villains more often than not. The fact that Moore was able to not ignore the racism and bigotry while still making all of the characters real and well-rounded was an impressive feat.

Of course, this being Christopher Moore, there are aliens and secret government conspiracies. Honestly his noir pastiche was so good I would have been happy if he played it straight, without the supernatural elements, but you can't have a Christopher Moore book without talking animals and some kind of otherworldly creature murdering people. It's his gimmick, and bless him for it. I know I love it.

The narrator, Johnny Heller, was solid. He captured the noir/hardboiled vibe wonderfully, and he managed to pull off most of the varied cultural voices without delving too deep into racist caricatures (*cough, cough* Stephen Briggs *cough, cough*). Fun times.

Wednesday, February 13, 2019

BIG RED by Damien Larkin REVIEW

Nazis on Mars. Alien space bugs. Secret government conspiracies. Time travel. This book has it all, and, amazingly, makes it all make sense.

When I first saw the publicity material referencing the setting, particularly the "Nazis in Space" part, I thought for sure this had to be some kind of parody, or at least written with tongue planted firmly in cheek. (Which I would be super down for, by the way) I was eager to dig into it after Dancing Lemur Press offered me an advanced copy in exchange for an honest review. I was pleasantly surprised to discover that Big Red plays it straight, and pulls it off. It's earnest, and honest, and believable, thanks to the grounding of a realistic, decent protagonist as our guide and narrator.

The packaging says "military sci-fi" but this is a thriller through and through. The pace is fast and the twists and turns are dizzying. Every time I thought I had the story figured out Larkin threw another curveball, and I could barely keep up. It felt like the Twilight Zone or Black Mirror at times with the way it completely subverts expectations. Honestly sometimes it almost feels like there's too many twists happening, but the author pulls them all together, catches all the loose threads and ties everything up nicely in the end. If you're cynical like me and you're asking yourself after three or four chapters "how the hell is he going to pull this together?" then trust me: Damien Larkin pulls it off, and pulls it off with style.

It's hard to get into the plot too much without revealing spoilers (and like I said, the crazy revelations are the best part), but the back cover blurb gives you a pretty good set up. A soldier wakes up on Earth after a year-long mission to Mars goes disastrously wrong. He has only fractured memories of what happened and his commanding officers are desperate for answers he doesn't have. The story alternates back and forth between the main character's time on Mars and what's happening on Earth, as the reader experiences each memory first-hand as the narrator remembers them himself. It's a neat trick and is a wonderful way of slowly unraveling all of the interconnected story threads, as bits of info revealed in each storyline reveals or explains what's happening in the other.

The military aspects of the novel feels real and grounded, despite taking place on Mars, which is obviously due to Larkin's own experiences in the military. His first-hand knowledge really makes the action seem believable, and he provides just enough detail to add to the story without going overboard with the jargon. Likewise with his sci-fi tech - functional and interesting without going into too much minutiae. All of these touches add to the plot, giving the setting an immersive, lived-in feel without bogging it down too much.

All in all I thoroughly enjoyed Big Red and highly recommend it to anyone with even a passing interest in Sci-Fi. A very impressive debut from Damien Larkin and I look forward to future works from the author.

Big Red
By Damien Larkin

Release date - May 14, 2019

Print ISBN 9781939844606
EBook ISBN 9781939844613
Science Fiction - Military/Alien Contact/Alternative History

We have always been here…

Suffering the side effects of Compression travel, soldier Darren Loughlin wakes up screaming from a gunshot wound that isn’t there. Despite a fractured memory, he is forced to recount his year-long tour of duty on Mars to uncover the mysterious fate of Earth’s off-world colonies and the whereabouts of his shattered battalion.

With time running out, Darren recalls his tour of duty with the Mars Occupation Force in New Berlin colony, their brutal MARSCORP masters, and the vicious war against the hostile alien natives.
But as he exposes the truth, Darren suspects he is at the centre of a plot spanning forty years. He has one last mission to carry out. And his alien enemy may be more human than he is… 

Dancing Lemur Press, L.L.C. is dedicated to bringing outstanding and inspiring science fiction & fantasy, new adult/young adult, mystery, paranormal, middle-grade, non-fiction, Christian, and more to readers!

Wednesday, February 6, 2019

A Lesson a 6-Year-Old Should Be Able to Understand (#IWSG February 2019)

The other day my son was working on a drawing of Sonic the Hedgehog. I thought he was doing a great job, creating an image that is perfectly on the level expected for a 6-year-old. He, on the other hand, was not at all satisfied with it. He complained the nose was not right, the ears were too big, etc. Eventually he started to get frustrated and upset, and started erasing and re-drawing things and was ruining the overall picture.

I told him I loved the drawing and asked if I could keep it. I said if there were parts of it he wasn't happy with then he could change them next time. I told him everything we make, every task we complete, is a learning experience. Nothing is ever perfect; we should be proud of what we did well, and look for the things we can improve in the future. My wife and I have been trying to impress on him lately that improvement and rewards come from hard work, and that there are triumphs and setbacks every step of the way. I'm not sure if he believed me, but I really struck a chord with myself.

The past few months I've been working on a new manuscript, a sequel to Hell Comes to Hogtown that I had put off writing for two years. The reason I put it off, which was confirmed as soon as I started writing it, was because I knew it was going to be hard. I can see what I want it to be, but the pieces just aren't going together the way I expect them to. I knew this was going to happen because I encountered a similar issue when I wrote the original. I had fun writing the initial draft, but when that was done it took a lot of work to put it together in a sensical order. I had to almost completely re-write the story in the second and third drafts.

It's a working title.

I'm about a third of the way through the sequel and I'm still fighting the choice I need to make: Either I just have fun now, letting the story and characters go in weird and unexpected ways but with the knowledge I'm going to have to fix it all later; or I force the story into a rigid narrative structure, and let everything feel flat and boring now and hope I can instill life back into the characters in the re-writes. No matter what I choose, I'm setting myself up for more work down the line.

I need to take the same advice I gave my son, the advice that even a six-year old should be able to understand: This is a learning experience. Be happy with what I'm getting done now, and when this step is done, take what I learned and use it next time. The way I see it, when I finish this first draft one of three things are going to happen:
  1. In the best care scenario, it will turn out better than I'm expecting.
  2. It may turn out badly, but fixable. I already know there are parts I will have to change, but other parts that I'm quite happy with that I should be able to use. The first draft will take some work to salvage, but there will be decent story in there somewhere. Fixing it will teach me things that will make my job easier next time.
  3. It will turn out to be terrible and unusable. And that's fine. I will finally know that this isn't going to work, and I can put these characters and this story to bed and move onto one of the other thousand ideas I want to write.
It's a hard lesson to learn when you're in the thick of it. I thought I had learned it last time, but apparently I'm still working out the details. It will come, eventually. And maybe this really is my brain's way of telling me that this book doesn't need a sequel, that I should put it down and move onto something else. But I've got to try, just to be sure.


In case you missed it, the cover for the latest IWSG Anthology (featuring yours truly) was released last week. Here it is again in all it's tentacled-faced glory:

Are you interested in helping to promote the new book, by sharing your blog for a guest post as we get closer to the release date of April 30? If so, please check out the Blog Hop Signup below:

Here are the full details on the book:

Masquerade: Oddly Suited

An Insecure Writer’s Support Group Anthology
Release date – April 30, 2019
Young Adult Fiction: Romance - General/Paranormal/Contemporary
Print ISBN 9781939844644
EBook ISBN 9781939844651

Find love at the ball…

Can a fake dating game show lead to love? Will a missing key free a clock-bound prince? Can a softball pitcher and a baseball catcher work together? Is there a vampire living in Paradise, Newfoundland? What’s more important—a virtual Traveler or a virtual date to the ball?

Ten authors explore young love in all its facets, from heartbreak to budding passion. Featuring the talents of L.G. Keltner, Jennifer Lane, C.D. Gallant-King, Elizabeth Mueller, Angela Brown, Myles Christensen, Deborah Solice, Carrie-Anne Brownian, Anstice Brown, and Chelsea Marie Ballard.

Hand-picked by a panel of agents and authors, these ten tales will mystify and surprise even as they touch your heart. Don your mask and join the party…

MASQUERADE: ODDLY SUITED contains the following tales of romance:

Oddly Suited, LG Keltner
Behind the Catcher’s Mask, Jennifer Lane
Fearless Heart, Deborah Solice
The Dark Charade, CD Gallant-King (that's me!)
The Cog Prince, Elizabeth Mueller
Remedy, Chelsea Marie Ballard
Charleston Masquerade, Carrie-Anne Brownian 
Flower of Ronda, Myles Christensen
Sea of Sorrows, Anstice Brown
A Diver’s Ball, Angela Brown

The first Wednesday of every month is officially Insecure Writer’s Support Group day. Writers post their thoughts on their blogs, talking about their doubts and the fears they have conquered. It's a chance for writers to commiserate and offer a word of encouragement to each other. Check out the group at

Monday, January 28, 2019

Masquerade: Oddly Suited COVER REVEAL

It's that time! The new Dancing Lemur Press anthology featuring my story "The Dark Charade" is scheduled to drop in three months, but first things first: It's cover reveal time:

Without further ado...

And here's the deets:

Masquerade: Oddly Suited

An Insecure Writer’s Support Group Anthology
Release date – April 30, 2019
Young Adult Fiction: Romance - General/Paranormal/Contemporary
Print ISBN 9781939844644
EBook ISBN 9781939844651

Find love at the ball…

Can a fake dating game show lead to love? Will a missing key free a clock-bound prince? Can a softball pitcher and a baseball catcher work together? Is there a vampire living in Paradise, Newfoundland? What’s more important—a virtual Traveler or a virtual date to the ball?

Ten authors explore young love in all its facets, from heartbreak to budding passion. Featuring the talents of L.G. Keltner, Jennifer Lane, C.D. Gallant-King, Elizabeth Mueller, Angela Brown, Myles Christensen, Deborah Solace, Carrie-Anne Brownian, Anstice Brown, and Chelsea Marie Ballard.

Hand-picked by a panel of agents and authors, these ten tales will mystify and surprise even as they touch your heart. Don your mask and join the party…

Wednesday, January 23, 2019

Revenge of the Noise! (January '19 Audiobook Reviews)

It's been a long time since I did this, but here we go! I haven't been listening to audiobooks in awhile, but I've jumped back in with gusto in the New Year. Here's my rambling and incoherent thoughts on some of the stuff I've pumped into my ear holes these last few weeks:

Pawn by Timothy Zahn (read by Joel Richards)

(I actually read/listened to this one almost a year ago. I wrote this review but it's been sitting in "drafts" ever since.)

I'm a big Star Wars fan. When I was a teenager, during the lull in Star Wars films between Return of the Jedi and The Phantom Menace, I devoured all the tie-in novels, games and comics that kept the spirit alive. By far, the best books in those early series was the Heir to the Empire trilogy by Timothy Zahn. I've heard some say that Zahn's books were even better than the original Star Wars trilogy of movies, and I'd be willing to consider that claim.  He has an accessible, well-paced style that works beautifully for genre fiction, and he has a knack for military sci-fi that is unparalleled. He comes up with these tactics and plans that are simply brilliant. Despite how much I loved his Star Wars books though, for some reason I had never read any of Zahn's other works. So when I saw this new book, the start of a new series, pop up in my audiobook feed, I thought I would finally give it a shot.

This is not Star Wars. It has none of the sweeping, epic mythology of Star Wars, nor any of the military or espionage that Zahn is famous far. It's a story about a small group of humans from our modern day Earth, abducted by mysterious aliens and put to work on a massive, equally mysterious spaceship in the middle of nowhere. Though they do encounter an odd alien here and there, the main thrust of this story is about the protagonist interacting with the other displaced humans as they go about their daily routines. It's an odd sort of setup for what is ostensibly supposed to be a sci-fi adventure, but a setup it is, as the truth of the ship and the aliens and the hero's purpose are all revealed in the last chapter or so. This is very obviously the beginning of a much longer series - it could have equally have been the first half (or even third) of one of those big doorstopper books that fantasy and sci-fi tend to favour.

That said, the story is well told, and the main character, though frustrating at times, is one I can root for. I've heard complaints that she's passive and weak, especially at the beginning, but that's rather the point. She's a young woman and an addict who grew up surrounded by abusive relationships and was a lackey for a street gang - it takes her awhile to overcome this background and grow into a more confident, assertive person - and even a leader - by the story's end.

Guards! Guards! by Terry Pratchett (read by Nigel Planer)
Thief of Time by Terry Pratchett (read by Stephen Briggs)

I love Terry Pratchett. I don't need to go to that in depth right now (though maybe I should write a full post about him one of these days). I listened to two of his books last month, one of my favourites (Guards! Guards!) and one I actually hadn't read before (Thief of Time).

They are two very different books. Thief of Time is very good, dealing with more esoteric themes (the nature of time and existence), and has a mixture of some of Pratchett's best characters (Death and Susan Sto Helit) as well as some that only ever appear in this book (The History Monks). The Auditors (other-worldly god-like beings that are basically celestial accountants) are trying to destroy the human race for being unpredictable. The History Monks, an ancient order of Shaolin-like monks charged with protecting the flow of time and history, work to stop them. Meanwhile, Death tries to get the Horsemen back together (who have gotten old and lazy) to ride out for the upcoming Apocalypse. Through it all, Death's granddaughter, the school teacher Susan, is just trying to put it all back together and save the universe.

I really enjoyed it, and the character of "The Sweeper," Lu Tze, could be an all-time best Discworld personality up there with Rincewind and Captain Carrot, but this audiobook version was seriously hampered by some of narrator Stephen Briggs'... unfortunate choices. Briggs read all of the History Monks' voices with awful, stereotypical Chinese/Asian accents, sounding like Mickey Rooney in Breakfast at Tiffany's or the waiters at the end of A Christmas Story. It was painful. Worse, there are so many different monks, and Briggs tried to use different voices for all of them... it was just bad. It was also inconsistent, and he regularly dropped in and out of the voice for some of the main characters. I cringed every time one of them spoke. I know Briggs has read many of the Discworld books and he has many fans, so I really hope the next one will be better.

On the flip side, Guards! Guards! is easily one of Pratchett's best books. It introduces the Night's Watch, the hapless, foolhardy police force of the capital city, one of the Discworld's best continuing storylines. It's like Brooklyn Nine-Nine in a medieval fantasy city. I also realized upon revisiting this for the first time in years that Guards! Guards! also introduced a number of classic Discworld tropes, such as the fact that a last, desperate, million-to-one shot always succeeds (and thus the characters will try to purposefully make their tasks harder to get them as close to a million-to-one as possible), as well as that the concentration of knowledge in libraries is so powerful that it opens up portals to alternate dimensions called L-space. Both are important plot points in this ridiculous story of an incompetent police squad investigating murder by dragons.

Narrator Nigel Planer is superb, absolutely nailing the voices of some characters like Corporal Knobs and Sergeant Colon (Colon sounded exactly like Brendan Gleeson, and now I want to see Gleeson play the bumbling Sergeant in a movie version). His Vimes and Carrot were not what I expected, but they really grew on me over time. All that said, the sound quality of the recording was terrible - the volume constantly went up and down, and there were numerous obvious cuts and edits in the track. I don't know if this was the fault of Planer or the producers, but I would have expected better in a professional-level recording.

Louis L'Amour Collection (Narrated by Willie Nelson)
I grew up in a house full of Louis L'Amour books. He is my father's favourite author, so I seem to have been drawn to him by some kind of conditioning or osmosis. 

I haven't read many westerns outside of L'Amour, but he is a perfectly competent adventure writer, capturing the feel of the old west (or what is stereotypical in popular fiction as the "old west") in a easy, well-paced style. This collection contains about ten short-stories, and even with this small sample they get a little repetitive (how many stories can you write about stealing cattle and jumping land claims, anyway? And this collection features at least two stories about mistaken identity) but that being said, the fact that the man wrote hundreds of novels and short stories with any variety at all is incredibly impressive. 

I've said it before and I stand by it - the only difference between westerns and romances is how much punching is involved. There's always a love interest, the leads are always described the same way in both, and both usually feature horses. But after listening to this batch I was also struck by how similar westerns are to sci-fi (I kinda knew it already, but this one really stood out for some reason). In any of these stories, you could have easily replaced the hero with Han Solo or Malcolm Reynolds, swapped the six-shooters for lasers and horses for spaceships, and *poof* instant space opera. 

Willie Nelson is (perhaps surprisingly, perhaps not) an excellent narrator. He doesn't have that polished sound that most American narrators use, which is a plus in my book, and he doesn't go in for fancy voices and accents. But he is a fabulous storyteller, with a warm, down-home voice that really draws you in. It's like listening to a smiling grandpa or uncle tell you a story, which is not a bad thing. There's a reason Nelson is one of the most beloved and celebrated entertainers in America.

Two of the stories also featured full casts, scores and sound effects, making them full-on audio dramatizations, like old-time radio plays. I was honestly kinda ho-hum about this; generally I just prefer my audiobooks being one reader telling me a story, even if they're doing a bunch of silly accents. While I also enjoy radio plays, I feel like that's a different genre/style altogether, and borrowing so much for what is ostensibly an audiobook feels like trying too hard. That being said, one of the stories features a star-studded cast with voices provided by the likes of Kris Kristofferson, Johnny Cash and Waylon Jennings, so that was kinda neat. And the other story featured one guy who sounded EXACTLY like former pro-wrestler Stone Cold Steve Austin, though I can't find credits for the story anywhere to confirm whether this is true. I even asked Steve Austin himself on Twitter about it, but he didn't get back to me.

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